![]() ![]() ![]() More about shooting Tangerine on HDVideoPro. Baker used Final Cut Pro for initial edits and Da Vinci Resolve for color grading. The film was shot on three iPhone 5s smartphones with the Moondog Labs Anamorphic Lens, FiLMIC Pro, and the Steadicam Smoothee. Principal photography for Tangerine took place in Hollywood, California (including West Hollywood clubs and Santa Monica Boulevard) on Christmas Eve 2013 and wrapped on January 18, 2014. While not the first feature film shot exclusively on a mobile device, Tangerine's commercial and critical success changed the perception of mobile filmmaking from a gimmick to a credible creative choice. A worldwide distribution deal with Magnolia Pictures was announced immediately following. Tangerine caused a major stir at its 2015 Sundance world premiere following the reveal that the gorgeous-looking film was shot on iPhone 5s. Their odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity. Upon hearing that her pimp boyfriend hasn’t been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumor. Then one day Kiki told us this story about one of the girls who found out her boyfriend was cheating on her with a quote-unquote 'fish.'" Just like that, Baker and Bergoch knew they'd found their tale.It’s Christmas Eve in Tinseltown and Sin-Dee is back on the block. "We just had to figure out a way to make those two the leads and figure out our plot. "All the sudden I saw these two together and I knew that would be our dynamic duo for the film," Baker says. She was also friends with scene-stealer Rodriguez. He recognized her magnetism right away and introduced himself, only to find that she had friends who had worked the block and was willing to talk. "We didn't want to go in knowing the story we wanted to tell." They weren't getting far until one day when he noticed Taylor and her friends hanging out in the courtyard of the nearby LGBT center. "It's the only way of doing it responsibly and respectfully," he says. To get one, he did what he had done on all of his previous films and immersed himself in the culture alongside his co-writer Chris Bergoch. He knew the area was an informal red-light district frequented by transgender sex workers, but he still didn't really have a story. What a risk to take back in 2015 and an amazing result shooting the movie Tangerine on the iPhone 5s (I wonder how this same movie would look if it was. Starting out, Baker just knew he wanted to make a movie about two people who meet at the small doughnut shop near his LA home. Tangerine was shot completely on an iPhone. Much of Tangerine's Story Comes from Its Leads Tangerine director Sean Baker used his iPhone 5s to direct the movie, the first iPhone film shot in scope, which you wouldn’t guess if you saw it on the big screen (and you shouldit’s now. He may have been forced to use the minimal tools available to him, but they ended up being invaluable. He also found some of his cast on Vine and Instagram, and even located part of the movie's electrifying score through SoundCloud. His two main actresses-Mya Taylor and Kitana Kiki Rodriguez, the two who come together at Donut Time-Baker found just by hanging out at the aforementioned intersection and he used their real-life stories to inform his script. The film got heavy buzz out of Sundance for being shot on the iPhone 5, but that's just the start of the DIY tricks Baker used. ![]() The resulting film, Tangerine, hitting theaters Friday, was made with $100,000 from Duplass and plenty of ingenuity. Producer/director/actor/writer Mark Duplass had made Baker a standing offer to make a micro-budget film under the Duplass Brothers Productions as Baker remembers, "I said to him, 'I want to make a film that takes place on the corner of Santa Monica and Highland and I don't know exactly what I want do to yet, but it's about two people coming together at Donut Time.'" But when he couldn’t get his dream of a big-budget flick off the ground, he decided to piece together one more small film-and those constraints pushed him to make the most compelling film of his career. He'd already made four films, including the critical darling Take Out, for the cinematic equivalent of peanuts and he was tired of scraping by. ![]() The last thing Sean Baker wanted to do was make another low-budget movie. ![]()
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